Welcome, Will, Steph, and Amber

This spring, we’ve had the pleasure of working with three new College of Charleston interns, William Baltz, Stephanie Burns, and Amber Coutsos.  We’ve asked each of them to share with us their favorite items from the Rosenthall collection.

William BaltzWilliam Baltz, an Art History and Historic Preservation major, chose a postcard of a synagogue from his hometown. “I chose the Lake Placid Synagogue as one of my favorite images because I was born in Lake Placid, New York and vividly remember driving by the building all the time while I was growing up. I was really surprised when I recognized the building before discovering what and where it was. I never thought I would come across a postcard in Rosenthall’s collection depicting my hometown.” William also liked a piece from the Biblical Illustrations portfolio. “I also chose ‘Moses and the Burning Bush’ because I greatly appreciate the artistic value of this painting. The artistic quality is remarkable and I thoroughly enjoy the formalistic treatment of the composition. The painting is well balanced, features good proportions and has a harmonious vibe while being artistically successful.”

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Lake Placid Synagogue, Lake Placid, New York

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"Moses and the Burning Bush"

Stephanie BurnsStephanie Burns, an Art History major, selected a print from a portfolio about cemeteries. “Out of all the prints I scanned for this portfolio, this was my favorite. I liked it because it was the most colorful, it was a break from all the black and white prints.” Her second choice is a 1906 postcard of the Wilson Avenue Temple in Cleveland, Ohio. “I liked this postcard because the building was outlined in glitter, it felt more personal. It had a personal touch that all the other postcards did not.”

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Jewish cemetery

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The Wilson Avenue Temple, Cleveland Ohio , 1906

Amber CoutsosAmber Coutsos, a History, Art History, and Women’s and Gender Studies major, chose a print from a portfolio entitled Ceremonies: Calendrical and Special. “My favorite image in the portfolio I have completed is the ‘Day of Atonement’ print. It was so interesting researching and learning about the ritual depicted in this image. I discovered that in the Jewish tradition, on the Day of Atonement, they would swing a rooster over their head and that would transfer their sins to the bird. I love the amount of detail and skill in the image, especially considering it is an engraving. This image illustrates family life and traditions that I was not previously familiar with. I also enjoy the detail of the inside of their home, including all the books on the bookshelves.”

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"The Day of Atonement," 1860

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Hellos and Goodbyes

January brought three more fantastic College of Charleston interns to the Rosenthall project: William Baltz (Art History and Historic Preservation), Stephanie Burns (Art History), and Amber Coutsos (History, Art History, and Women’s and Gender Studies). We will be posting more about their work on the project soon.

Project archivist Sarah Dorpinghaus

Archivist Sarah Dorpinghaus

Additionally, staff changes have led us to make the difficult decision to postpone further work on the project. Sarah Dorpinghaus, Project Archivist for the Jewish Heritage Collection and main coordinator of the Rosenthall project, accepted a position at the University of Kentucky and left Charleston at the end of February. Due to an already strained staff and budget, we will not be able to continue our rigorous pace of digitizing images. What has been completed so far (a minor percentage of the total collection) will be uploaded to the new Lowcountry Digital Library this spring. Meanwhile, Dale Rosengarten, Curator of the Jewish Heritage Collection, will seek further funding to make this internationally important collection of Judaica accessible.

 

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Identifying prints

When creating metadata, we pay particular attention to the format of the material being described. Identifying postcards and photographs is fairly straightforward, but determining the differences between the various types of intaglio and relief prints has proved to be quite challenging. So we invited Barbara Duval and Elizabeth Stephenson from the College of Charleston’s Department of Studio Art to give an informal instructional session on identifying different types of prints. Their tips were incredibly helpful. For example, we learned that the presence of a plate mark or embossing indicates that the print is an etching or engraving not a lithograph. And prints that have a pitted or grainy quality were likely created using a method of intaglio printing called aquatint. Additionally, Barbara and Elizabeth recommended several publications to consult as needed: How Prints Look by William Ivins, Jr. and How to Identify Prints by Bamber Gascoigne.

Steph, Will, Barbara, Elizabeth, and Amber

In other news, the Lowcountry Digital Library is in the final stages of building a new digital repository. We hope to have about 1,000 more images from the Rosenthall collection available in a new user-friendly digital library by the end of March!

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Belated welcomes and holiday greetings

Gillian Rogers creating metadata for Rosh Hashanah postcards

We’re a few weeks late on this holiday post, but Happy Rosh Hashanah! To celebrate, Gillian Rogers (our newest intern) has been digitizing and creating metdata for not one, but two of Rosenthall’s New Years postcard albums. Gillian is a senior majoring in history at the College of College of Charleston.

Below are a few of her favorite postcards from the collection.

Romantic New Year's postcard featuring a kiss, circa 1915

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New Year's postcard featuring mother and infant, circa 1910

New Year's Greetings from Old World to New, circa 1915

New Year's Greetings featuring a Zionist message, circa 1920

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Rosenthall finding aid online

I’m pleased to announce the finding aid for the William A. Rosenthall papers has been encoded and is now available online.

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Uploading hiatus

The Lowcountry Digital Library is currently developing a new open source digital repository that will be launched in early 2012. The good news is this new repository will be much more dynamic and user-friendly than the current content management system used by LDL. The bad news is we are not able to upload additional content until the new system is up and running. However, we are still moving forward with scanning, metadata, and rehousing efforts. I will continue to post selected images from the new scanned portfolios.

Recently, we finished up a portfolio of images depicting Jewish ceremonies and customs, such as weddings, circumcisions, burials, and prayer. The following is a sampling of our favorites.

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Caricatures and cemeteries portfolios now available

Over 300 images were uploaded to the Lowcountry Digital Library earlier this week. Approximately 80 images from Rosenthall’s “Jewish caricatures” portfolio were added to the prints and photographs digital collection. Many of these images play upon Jewish stereotypes and illustrate anti-Semitic beliefs.

Close-up of "You Couldn't Blame Him," 1902

Close-up of "She Knew Him By His Nose," 1901

 

 

 

 

 

 

 

 

College of Charleston student Cameron Moon scanned, rehoused, and created metadata for this portfolio. One of her favorite items is the hand-drawn illustration below, which stood out among the printed images that make up the majority of Rosenthall’s collection.

Sketch of uniformed man with bayonet threatening a crowd of Jews

Additionally, over 200 images of Jewish cemeteries, tombs, and monuments were uploaded to the postcards digital collection.

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New Tumblr

The “A Synagogue A Day” Tumblr has been launched!

 

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Summer update

It’s been a busy summer at JHC, and we’ve been trucking along with the Rosenthall digitization and rehousing project. So busy, in fact, that I haven’t had time to introduce our latest intern– Rebecca Zola.

Rebecca will be a senior this fall at Lexington High School in Lexington, Massachusetts. She spent the summer visiting family in Charleston and joined the Rosenthall project in July. We were happy to take advantage of her fluency in Hebrew and knowledge of Jewish customs.

Rebecca scanned, rehoused, and created metadata for over 200 images, including portraits, sheet music, and maps. The sheet music is particularly interesting as some of the cover images and lyrics play heavily on anti-Semitic stereotypes. The images were uploaded to the Rosenthall prints and photograph digital collection earlier this week.

Print of Theodor Herzl on velvet, undated

Rebecca pointed out the similarity between this print of Herzl and the Obama “Hope” poster. Both images have a “screen print-y”* style; however, the messages are not quite as directly related. The Hebrew under Hertzl’s profile roughly translates to “Do not forsake my Torah.”

*For the record, I have never taken an art course.

From John Foster Carr’s Guide to the United States for the Jewish Immigrant (1912)

"Song Of The Hebrew Maiden: In Answer To The Song of the Crusader” sheet music

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1000+ milestone and “Mendoza the Jew”

Last Friday, over four hundred images were added to the Rosenthall digital collections. This brought the total number of items available online to over 1,000! (1,174, to be exact.)

The recent upload includes portraits of rabbis and other notable Jewish individuals. JHC’s favorite is the print of English boxing champion Daniel Mendoza’s (“Mendoza the Jew”) 1790 match with Richard Humphries. Its wonderful caption reads, “The Manner in Which Mendoza Caught Humphries Twice, and Generously laid him down without taking the advantage of his situation.” This “generous” treatment is likely due to the fact that Humphries was Mendoza’s former mentor.

Not only was Mendoza reputed to have been the first Jew to talk to England’s King George III; he also revolutionized competitive boxing. Typical fighters of this period simply stood still and traded punches. However, Mendoza incorporated defensive strategies such as sidestepping and ducking, which were outlined in his book The Modern Art of Boxing.

Mendoza was England’s Heavyweight Champion from 1792-1795 and is the only middleweight (5’7”, 160 pounds) to ever win the Heavyweight Championship of the World. In 1981, he was inducted into the International Jewish Sports Hall of Fame and in 1990, inducted into the International Boxing Hall of Fame.

More information on Mendoza here.

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